Starting with Buck and Curley’s conversation early on, Ringo’s reputation and ambitions are well established. Ford’s reserved use of close-ups and other various shots had artistic purpose as well; when he did use them, they had a tremendous effect. Stagecoach filming location: Iconic image of the West: Monument Valley, on the Utah-Arizona border John Ford ’s classic film is based on a short story, Stage to Lordsburg , by Ernest Haycox , published in Collier’s Magazine in 1937, in turn, based on Guy de Maupassant ’s Boule de Suif , set during the 1870 Franco-Prussian War. Character pieces like The Grapes of Wrath (1940) and The Quiet Man (1952) measure up to the greatness of his western masterpieces, but it would be remiss not to discuss his eye for exemplary action. Music. The nation was just coming out of the economic depression of the 30s. The remaining people flee the streets as the three men position themselves. It became his preferred location for shooting westerns; Ford favored its majesty over accuracy in films like My Darling Clementine (1946), set in Tombstone, Arizona, and The Searchers, which substitutes the location for practically everywhere the characters travel to. Ford was a monumental figure whose influence can be seen throughout the works of Steven Spielberg, Martin Scorsese, and perhaps most famously, Akira Kurosawa. Stagecoach was John Ford's first western in over a decade and despite the studio's initial unwillingness for the director to make a western this movie became a defining work in film history reinvigorating the genre and introducing us to the pairing of Ford and Wayne as well as the beautiful location of … Luke Plummer walks back into the bar, the apparent victor, until he suddenly drops dead. Doubling for many of the Indian riders, he performed most of the falls with his own stunt device — the “Running W” — designed to trip the horses when needed. He also refused to shoot alternate angles or close-ups to prevent studio meddling, which meant he had to visualize each scene entirely while filming. Ook werd de film voor een deel in Monument Valley opgenomen. His first speaking part in a John Ford film is as a bullying naval cadet in Salute, released in 1929. In return, Buck warns of the havoc the Plummer boys have been stirring up in Lordsburg, which makes Curley jump to his feet, as he aims to prevent the bloodshed. The ingenuity of Stagecoach made it a pillar of the genre, establishing new expectations for all subsequent westerns to adhere to. He’s a poet and a comedian. He responded: “I prefer the old masters, by which I mean John Ford, John Ford, and John Ford. When the party finally arrives in Lordsburg, several of the onlooking men panic as they recognize Ringo at the helm of the coach. At this point, the friction amongst the group has been well established, but their division manifests overtly when they sit down for a meal at the station. Recurring visual motifs include trains and wagons—many Ford films begin and end with a Completely outnumbered, with gunfire and arrows raining down upon them, they fire back, and an array of Indians are thrown from their horses in increasingly impressive stunt work. Themes of morally righteous men doling out justice and paving the path of the American frontier resonated strongly with audiences, and had a profound impact that is still evident in the stories of today. The western genre might be the most important American contribution to cinema. John Ford S Stagecoach Notes for Viewing John Ford’s Stagecoach The movie is set in 1885. 3:10 to Yuma and all images used are property of Columbia Pictures, under the Fair Use doctrine of US Copyright Law, for transformative purposes. My own style had nothing to do with his, but Stagecoach was my movie textbook… I wanted to learn how to make movies, and that’s such a classically perfect one.” It was Ford’s first western in 13 years and his first of the sound era, a landmark masterpiece that marked not only a new beginning for Ford, but for the genre as a whole. The 75th Anniversary Committee’s Clint Eastwood on the Impact of John Ford’s Stagecoach was an informative and engaging evening that analyzed the careers of DGA Lifetime Achievement Award recipients Ford and Eastwood — two filmmakers serving as cornerstones of a definitively American film genre, the western. Click Download for free ebooks. This exhilarating stunt does not save the passengers, though, as Hatfield, Doc, and Curley all discover they are out of ammunition, with the warriors still relentlessly in pursuit. Ford prolongs the fight to build suspense, with a brief, foolhardy attempt by Doc Boone to impede the fatal conflict and a couple of exploitative newspaper men attempting to forecast the outcome. Despite his troubled eyesight later in life, Ford’s acute visual instinct was undeniable. Almost immediately after arriving at Apache Wells, Mrs. Mallory faints and the others realize she is desperate need of medical attention. "This is a great story," I thought, and I bought it for a small amount - I think it was $2,500. Though several of Ford’s other westerns may have had a more direct influence, none were more important than Stagecoach. The combination of the film’s progressive characters, defining set pieces, and visual mastery created an ideal vision of the American West that has become the basis of comparison for every western to come thereafter. John Ford. The cast is rounded out with Peacock (fittingly played by Donald Meek), Gatewood (Burton Churchill), and Buck (given a special charm by Andy Devine) representing the whiskey salesman, fussy banker, and driver of the eponymous stagecoach. The promise of a troop of cavalrymen, including Mrs. Mallory’s husband, proves false at Dry Forks station, leaving the passengers of the stagecoach without help. Though this made both productions more strenuous, the results were a phenomenal improvement over the mundane, played out visuals audiences had come to expect. Ford is justly famous for his exciting tracking shots, such as the Apache chase sequence in Stagecoach or the attack on the Comanche camp in The Searchers. Ringo, alive and victorious, reunites with Dallas, and is allowed his happy ending; Doc Boone and Curley assist in his escape to Mexico. John Ford mag dan een regisseur zijn met de nodige palmares, met Stagecoach zet hij een simpele en vrij nietszeggende film neer. This is where it all started. The western genre might be the most important American contribution to cinema. Buck and Doc Boone address Ringo amicably, greeting him with friendly recognition, despite his “notorious” reputation, as Gatewood declares. The environment of Ford’s films would only truly become transcendent, though, after selecting Utah’s beautiful Monument Valley for the backdrop of Stagecoach. Diegetic and Nondiegetic Elements Suspense Definition: The anxiety brought on by partial uncertainty: the end is certain, Only the sudden sound of the cavalry’s crescendoing bugle provides relief as the much delayed backup charges in and rescues the periled travelers. Ringo cocks his rifle as he moves in closer, and the three brothers do the same as the frame closes in tighter. Bogdanovich, Peter. The film opens as a stagecoach is set to make the perilous journey from Stagecoach was also Ford’s first film to feature his most famous character: Monument Valley. I make Westerns.”. The presence of the Apaches finally materializes in a dark plume of smoke in the distance as the passengers of the coach prepare for the final stretch to Lordsburg. Stagecoach, John Ford (1939) Kurgu-TV. Curley, Buck, and Peacock, though, remain somewhere in the middle. No one, however, contributed more to the realization of the western genre than acclaimed director John Ford, a man so closely associated with it, he once introduced himself thusly: “My name’s John Ford. He reaches for the cup, but Hatfield brazenly tucks it back into his pocket. http://thegreatwesternmovies.com/2014/01/15/great-directors-john-ford/, Intersectionality & The Avengers: Endgame, Why You Should Read Mortal Engines Before Seeing the Film, ‘Assassins’ refashions the odd killing of Kim Jong Nam into a pulse-pounding documentary thriller, “Love, Simon”: The Multiplex Movie Comes Out, Ten from the ‘10s: A decade in cinema — Part 2. Stagecoach is first and foremost an ensemble film. This was not Canutt’s only controversial stunt on the set of Stagecoach, but thankfully no others resulted in anyone’s death, man or horse. The speed of the chase is electrifying, as Ford places the camera low to the ground to add to the thrill. One of director John Ford’s defining movies, it also elevated John Wayne to stardom. The beginning of the film briefly establishes these stereotypes as we meet the characters in town, but when they start their stagecoach journey, picking up Ringo (John Wayne) on the way, many of the characters develop counter to their […] Despite his early success with The Iron Horse, Ford didn't direct any Westerns between 1926 and 1939.However, when he once again returned to the frontier, Ford created what many critics consider one of the best films of all time. Stagecoach was een trendsettende film die later vele westernfilms heeft geïnspireerd. Deze pagina is voor het laatst bewerkt op 2 feb 2020 om 19:54. Terry Leonard, stunt double for Harrison Ford on Raiders of the Lost Ark (1981), suggested a similar stunt as an homage to Canutt, as well as to redeem his failed attempt at it on The Legend of the Lone Ranger (1981). Ford’s discovery of Monument Valley was crucial in piecing together his image of the frontier — a vision which has become the defining portrait of the American West. Winter 2011. These introductions showcase how the nine passengers divide evenly into three groups based on how their society values them. Like Geronimo and the Apache threat, Ringo’s business in Lordsburg has been much discussed throughout the film. Download in PDF, EPUB, and Mobi Format for read it on your Kindle device, PC, phones or tablets. John Ford’s smash hit and enduring masterpiece Stagecoach revolutionized the western, elevating it from B movie to the A-list and establishing the genre as we know it today. While I have some reservations about giving the video a complete pass, the AV is adequate and is more than compensated by the plethora of wholly engaging special features. Ford was one of the first directors to attempt shooting in more authentic locations. The shot cuts to Dallas’ reaction of the gunfire, adding uncertainty as she mourns for Ringo’s fate. Ringo shoots the Indian, and Canutt drops in between the horses, and after a second shot, he drops completely to the ground and the horses and stagecoach pass over him. Having seen close to 500 westerns from this decade the past 3 years, about half the total output, I've experienced the desperate struggle this genre suffered since the dawn of sound and the ambitious The Big Trail (1930) failed at the box-office. The sympathetic and humorous qualities of Doc Boone are clear influences in Dean Martin’s Dude of Rio Bravo (1959), the motherly majesty of Dallas is evident within Claudia Cardinale’s portrayal of Jill in Once Upon a Time in the West (1968), and John Wayne’s signature charm with Ringo was surely a blueprint for other outlaws to come, perhaps none more so than Glenn Ford’s charismatic Ben Wade in 3:10 to Yuma (1957). John Ford bought the rights to Stagecoach from Colliers magazine in 1937 (an adaptation of a short story called The Stage to Lordsburg) and made a pitch to almost every studio in Hollywood to have it made.Unfortunately, no one was interested in doing another forgettable western, especially with a B movie actor by the name of John Wayne, as the films main protagonist. They are neither especially respected nor condemned and represent the general population, typically treating everyone approximately the same, regardless of their position. De film is gebaseerd op het verhaal The Stage to Lordsburg van Ernest Haycox. Ford’s focus on character above all else is certainly the most poignant attribute of his directorial craft. John Fords Stagecoach John Fords Stagecoach by Barry Keith Grant. Serious Westerns weren't in fashion in 1938 when John Ford and company went to Monument Valley to shoot Stagecoach.In 1971, Ford and his cast and crew reminisced in the DGA's Action magazine about making a film that truly changed the genre.. Vanavond in onze CINEMA CORONA een film die in de verste verte NIETS met virussen, social distancing of quarantaine te maken heeft: ‘STAGECOACH’, één van de vele briljante westerns van de zéér grote John Ford.. Het verhaal gaat over acht passagiers die met de postkoets van Tonto naar Lorsdburg meerijden. https://www.britannica.com/biography/John-Ford-American-director With Ford at his best you get a sense of what the Earth was made of.” Welles was so enamored with the director that during preparation for his first film he reportedly screened Stagecoach (1939) some 40 times, later stating: “John Ford was my teacher. April 28, 2016. John Ford’s smash hit and enduring masterpiece Stagecoach revolutionized the western, elevating it from B movie to the A-list and establishing the genre as we know it today. Hundreds of miles away from any form of civilization, it certainly discouraged nosey producers from prying, though the natural beauty of the terrain was a deciding factor. The screenplay, written by Dudley Nichols, is an adaptation of "The Stage to Lordsburg", a 1937 short story by Ernest Haycox. John Wayne's first appearance in Stagecoach). Monument Valley resides on the Utah-Arizona border, within the territory of the Navajo Reservation. Ringo takes it in stride and offers a charming smile and a cheeky quip. After previewing the landscape through some pictures Goulding brought along with him, Ford was certain he wanted to film Stagecoach there. It wasn't too well developed, but the characters were good. STAGECOACH is ranked #63 on AFI’s original list of the greatest American films of all time! While Indian battle sequences were not uncommon in previous western films, Ford’s technique in Stagecoach is innovative and engaging in ways previously unseen. De stereotiepe en bordkartonnen personages welke zij neerzetten zijn van dien aard dat zij enkel ergernis opwekken. One of the many reasons so many westerns were made in the early years of Hollywood was that they were simple to make. This is also apparent in the sympathy other characters share for Ringo’s mission. At Dry Forks Station, when voting to proceed onward, Ringo’s choice is clear: “Nothin’ gonna keep me out of Lordsburg,” he says. Two set pieces in particular from Stagecoach highlight his brilliance. Events Definition: The branching points in the plot structure that force characters to choose between or among alternate paths include in order of the plot. The delivery of Mrs. Mallory’s baby marks a turning point in the story, as the characters who began as pariahs are now revered and celebrated, while those who were treated with reverence have shown their true colors. As the coach continues towards Apache Wells, the symptoms of Mrs. Mallory’s hidden pregnancy begin to show. 1939 was a banner year for John Ford. “Yakima Canutt.” Special Feature. STAGECOACH (1939) directed by John Ford from a screenplay by Dudley Nichols is generally considered to be the first adult Western – adult in the sense that it took a set of archetypes who were familiar to audiences from Westerns of the past (the dancehall girl/prostitute, the Southern gentleman gambler, the drunken doctor, the young outlaw, the girl from the East), placed them in a … John Ford filming Stagecoach in Monument Valley, 1938. An extremely dangerous stunt, it was only shot once, but that didn’t discourage others from attempting to replicate it. John Wayne was named one of the greatest screen legends by AFI, and director John Ford was the recipient of the inaugural AFI Life Achievement Award in 1973. Stagecoach study guide contains a biography of John Ford, literature essays, quiz questions, major themes, characters, and a full summary and analysis. On John Ford's Stagecoach. Then I tried to sell it to the studios, but nobody was buying. 'Stagecoach' remains as entertaining as ever, with a matinee idol-making turn by John Wayne and impeccable, ahead-of-its-time direction by the grouchy master John Ford. Ringo jumps from the cabin of the coach to join Curley and Buck on top to fend off their attackers. When Chris, the Mexican proprietor of the Apache Wells Station, tries to discourage him from continuing to Lordsburg, it only seems to further motivate him. The tagline of the film, “A Powerful Story of 9 Strange People,” is deceptively simple. The film follows a group of strangers riding on a stagecoach through dangerous Apache territory. John Wayne Ringo While he had appeared in smaller roles before this, John Wayne's performance as Ringo the Kid in Stagecoach catapulted him to fame.Wayne appeared in several B Westerns in the 1930s before John Ford decided to give him a shot as a leading man. Encompassing approximately 30,000 acres, the land is noteworthy for its incredible sandstone buttes, which reach as high as 1,000 ft. Get premium, high resolution news photos at Getty Images Ford’s penchant for realism is perhaps best realized in the background of his films, though, as his distinctive settings feel authentic. When Ringo joins the traveling coach he confirms his intentions for when they arrive in Lordsburg, and does so repeatedly throughout the trip. Curley informs Buck of Ringo’s recent escape from jail, and his desire for vengeance upon Luke Plummer and his brothers. The western genre might be the most important American contribution to cinema. Similarly, in Maverick (1994), Mic Rodgers recreates another stunt from this scene, where Canutt, doubling for John Wayne, jumps from the coach to the lead horse, vaulting from team to team while they run at full speed. With the sharp sting of the score’s horns, Ringo dives into the dirt, firing his three remaining shots. Stagecoach (1939) cast and crew credits, including actors, actresses, directors, writers and more. John Feeney (February 1, 1894 – August 31, 1973), known professionally as John Ford, was an American film director and naval officer.He is renowned both for Westerns such as Stagecoach (1939), The Searchers (1956), and The Man Who Shot Liberty Valance (1962), as well as adaptations of classic 20th-century American novels such as The Grapes of Wrath (1940). Het verhaal mag dan dun zijn en de standaard (bij)plotjes bevatten, van ergerlijke aard is pas de cast. Ned Scott/United Artists. Ford’s first sound western was revolutionary in every way it could be: it challenged stereotypes and clichés while rejecting genre conventions. Label: Victor - VIP-9069～70(M) • Format: 2x, Vinyl LP • Country: Japan • Genre: Stage & Screen • Style: Soundtrack. Dir. John Ford. Ford continually builds the tension of the approaching Apaches in each scene of the film, allowing the feeling of impending doom to be stretched to its fullest length. The stakes increase further when the safeguard of the cavalry is lost. It’s a notably large ensemble as well, one that showcases most of the characters found in the western genre up until that point. Orson Welles was once asked who his favorite directors were. Dit zou vanaf toen een geliefd decor worden voor dit genre. The prolonged buildup of Geronimo and his Apaches culminates in a fantastic reveal as Ford’s camera pans from a shot of the stagecoach to the much-anticipated band of Apache warriors; the score accentuates the moment with an acute music sting. Once Upon a Time in the West and all images used are property of Paramount Pictures, under the Fair Use doctrine of US Copyright Law, for transformative purposes. Just as Ringo’s kindness at the dinner scene reveals his true self, Dallas and Doc Boone’s assistance in the birth of Mrs. Mallory’s child show theirs. This is where it all started. Stagecoach made way for more thought-provoking classics like The Ox-Bow Incident (1943), Red River (1948), and High Noon (1952), not to mention Ford’s own The Searchers (1956) and The Man Who Shot Liberty Valance (1962). Yakima Canutt, famous and revered stuntman, brought an unquestionable excitement to this scene. Some of the motivation for that was the remoteness of the location. They respond hastily, without regard to the prejudice they have experienced, and rise above their shortcomings to demonstrate their reliability in the face of adversity. A poster for John Ford's 1939 western 'Stagecoach' starring John Wayne and Claire Trevor. John Ford’s smash hit and enduring masterpiece STAGECOACH revolutionized the western, elevating it from B movie to the A-list and establishing the genre as we know it today. Stagecoach and all images used are property of United Artists, under the Fair Use doctrine of US Copyright Law, for transformative purposes. Each character is given ample time and thorough resolution. Rio Bravo and all images used are property of Warner Bros., under the Fair Use doctrine of US Copyright Law, for transformative purposes. The dramatic action of the chase scene makes for a great climax to the journey of Stagecoach, but the conclusion of the film is yet to come. View credits, reviews, tracks and shop for the Vinyl release of Stagecoach on Discogs. ADAPTED FROM THE DGA'S ACTION MAGAZINE (SEPT/OCT 1971) Dallas (top-billed star Claire Trevor), as the hooker-with-a-heart-of-gold, and Mrs. Mallory (Louise Platt), a devoted wife, are polar opposites. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. What sets Stagecoach apart from the previous decade’s westerns, though, was Ford’s focus on characters with depth and social commentary, things that the genre had been lacking. It is no surprise, as a veteran of the silent era, that Ford was adept at visual storytelling, but his mastery was legendary even among his contemporaries. MorinoMashio. Sources: Like the characters in “Last Stage to Lordsburg,” the characters in the film stagecoach are stereotypes, but, except for Gatewood, they acquire a depth and humanity that Haycox’s characters don’t. Despite their popularity, silent westerns were seen as little more than innocuous entertainment and relegated to B-List status. De tekst is beschikbaar onder de licentie. Even the riveting battle in his silent epic The Iron Horse (1924) cannot compare to the action of the chase in Stagecoach. Hatfield calls him a “drunken beast,” but the Doc pays no mind and, with a formerly unknown earnestness, demands strong coffee to restore his sober mind. Even Curley, who came along specifically to put Ringo back in jail, carries out his duties with reservation, seeking only to protect the boy from seemingly inevitable doom. The film ends as Ringo and Dallas ride off into the sunset. Dallas begs Ringo to forget Lordsburg and make for the border while no one is looking. Stagecoach. By showing a condemned outlaw to be morally superior to those of the distinguished class, Ford calls into question the entrenched limitations of the genre. John Ford (Cape Elizabeth (), 1 februari 1894 – Palm Desert (Californië), 31 augustus 1973) was een Amerikaans filmregisseur.Hij maakte succesvol films van de jaren dertig tot de jaren zestig, en is vooral bekend om zijn westerns als Stagecoach en The Searchers.Hij won vier Oscars voor beste regisseur, maar opvallend genoeg geen enkele keer voor zijn westerns. Stagecoach’s subversive characters clearly laid the groundwork for similar characters that would blossom and influence the genre. Seven Women (1966), https://nl.wikipedia.org/w/index.php?title=Stagecoach_(1939)&oldid=55590253, Wikipedia:Lokale afbeelding gelijk aan Wikidata, Wikipedia:Commonscat met lokaal zelfde link als op Wikidata, Creative Commons Naamsvermelding/Gelijk delen. Stagecoach is a 1939 American Western film directed by John Ford, starring Claire Trevor and John Wayne in his breakthrough role. John Ford's great western "Stagecoach" revolutionized the genre in 1939 while making a major star of John Wayne and establishing Monument Valley, Utah -- a … Buck’s numerous pleas to turn back help keep the danger in the mind of the audience. STAGECOACH, Frank S. Nugent, New York Times, March 3, 1939 In one superbly expansive gesture, which we (a nd the Music Hall) can call Stagec oach , John Ford has swept aside ten years of artifice and talk ie compromise and has made a motion picture that sin gs a song of camera. Ringo (played by John Wayne, in his star-making role) and Curley (George Bancroft) are the outlaw and sheriff, both pervasive characters that dominate the genre. Each character is given a highlighted introduction which demonstrates their defining characteristics, establishes their place within the status quo, and informs of their reason for journeying to Lordsburg. Bissinger, Buzz. Director, and Ford biographer, Peter Bogdanovich, said of this: “Ford was nothing if not perverse. They rush into the bar to alert Luke Plummer, as he draws the dreaded “Dead Man’s Hand,” indicating his ultimate fate. “Peter Bogdanovich.” Special Feature. 6:38. He would go against the grain, he would do it differently than expected.” This hallmark of Ford is what allowed Stagecoach to reinvigorate the western, setting new standards and ideals, and cementing its place as the first paragon of the genre. Dallas then emerges from the back room, ordering Ringo to get hot water, and Doc Boone drunkenly saunters up to the bar. The Iron Horse was shot in the mountains of Nevada, and his last silent western, 3 Bad Men (1926), was shot entirely in Jackson Hole, Wyoming. Stagecoach John Fords' Stagecoach of 1939 is a movie that tries to reflect the realities of the time in the country. A single arrow breaks the silence of the scene, and throws the group into chaos. Stagecoach certainly wasn’t his first western – his apprenticeship period saw dozens of silents made with star Harry Carey – but it was a film that saw him reach a major peak, reinvigorating a genre that had largely fallen from favour. “True West.” Special Feature. Stagecoach. Stagecoach, American western film, released in 1939, that is a classic of the genre, widely considered to be the first “adult” western. Authentic Original Lobby Card Poster for John Ford's Film Stagecoach Starring John Wayne and Claire Trevor. Stagecoach (1939), John Ford's masterpiece which single-handedly saved the western from it's wretched 1930s faith! Moviepix / Getty Images. Van de film is later een ingekleurde versie verschenen. The key to the success of Stagecoach, however, lies in Ford’s subversion of these archetypal characters, reversing the expectations of the genre, revealing that the heroes and villains are not always who we think. The very first lines tell how Geronimo is riling up his fellow Apaches and causing trouble throughout the area, punctuated by the urgent telegraph message being cut off after its first word. The western hero has transcended the medium and become an icon of integrity and gallantry, a symbol erected by pioneer filmmakers. Both the previously mentioned dolly shot for Ringo’s entrance, and the panning reveal of Geronimo and the Apaches, are prime examples of the efficacy of Ford’s technique. A respectable position, an unwavering devotion for her husband, and a chivalrous dedication to her protection earns praise and respect for Gatewood, Mrs. Mallory, and Hatfield, while Doc Boone, Dallas, and Ringo have all been cast out from society, and are treated with disgust and contempt. Criterion Collection Edition #516 This is where it all started. Stagecoach 1939 Trailer John Ford. He shot as little film as he could, typically only wanting one or two takes of any given scene. Dallas is the first to offer her assistance, only to be promptly refused. They set their heroes against backdrops of sweeping vistas that exemplified the pure Americana of the genre. From the 1948 Re-Release John Ford's landmark Western revolves around an … Meanwhile, Gatewood is again complaining about the army before Ringo shuts him up. A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo and learn something about each other in the process. John Ford S Stagecoach books. Dir. Ringo again validates Dallas’ dignity, as he had earlier when Curley called for a vote to continue their trek, and offers her a drink as well once Mrs. Mallory has finished. Dallas promptly takes charge, and brings Doc Boone along with her to assess the situation. Ford’s preference for restrained cinematography brought a sense of accuracy to his films, allowing the actors to more fully embody their characters. I found the story for Stagecoach by reading it in Collier's. The looming threat of Geronimo and his gang of Apache warriors had been established from the beginning of the film. dolly in (e.g. He does this through clashes in social dynamics that dominate character interactions, beginning after Ringo’s iconic entrance finalizes the traveling band. Ringo, staring longingly into her eyes, tells Dallas how Luke Plummer and his brothers killed his father and brother in cold blood. While extremely effective, its use was questionable even then, as the stunt would either kill the horse or leave it terribly injured. Realizing how magnificent the location would be for a western picture, resident Harry Goulding approached John Ford about shooting his next film there. He was already an industry veteran, with some 2 decades experience and 25 sound features behind him. 3:29. 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